Encyclopedia of Opinion
Question
Should multicultural literature be included in the high school curriculum?
Position1 of 3
Yes, multicultural literature should be taught in schools
Argument1 of 5

Allows for deeper analysis of common books read

By including multicultural literature in school curriculums, students will be able to more easily see the what many books that are typically taught fail to show you, intentionally or not. Including different points of view allows for a more rounded and less biased understanding of literature.

The argument

This argument holds that multicultural literature belongs in the high school curriculum because it deepens students' analysis of the books they already read: the classics themselves are understood better when studied alongside voices from outside the traditional canon. Literary analysis is comparative at its core. A student who has read only one tradition reads its assumptions as simply 'how books are' — invisible because nothing contrasts with them. Set a canonical text beside a work from another tradition and the invisible becomes analysable: how each handles narrative authority, whose perspectives are centred and whose are background, what each takes for granted about family, justice, race or empire. A colonial-era classic read alongside a postcolonial novel stops being a neutral adventure story and becomes a text with a point of view that can be identified and questioned; an American standard gains new dimensions when juxtaposed with African-American or Chicano literature treating the same history from its other side. The classic is not displaced by the comparison — it is illuminated by it. This is precisely the skill English class exists to teach. Recognising perspective, interrogating assumptions, weighing how the same events read from different vantage points: these are higher-order analytical capacities, and they develop only when the curriculum contains genuine difference to compare. A monocultural reading list caps the depth of analysis available even of its own contents. From this standpoint, multicultural literature is not a rival to the common books but the lens that brings them into focus. Because it allows deeper analysis of the books commonly read, this argument holds, multicultural literature should be taught in schools.

Premises

[P1]Literary analysis is comparative: a single tradition's assumptions remain invisible until contrasted with works from outside it. [P2] Reading classics alongside multicultural literature makes perspective, centring and assumption analysable — illuminating the canonical texts rather than displacing them. [P3] Recognising perspective and interrogating assumptions are the higher-order skills English class exists to teach, and they require genuine difference in the reading list. [C] Therefore, because multicultural literature allows deeper analysis of the books commonly read, it should be taught in schools.

Counter-arguments

The mechanism described is a case for comparative reading, not specifically for multicultural literature. Assumptions become visible when set against difference — but difference of period, class, genre, form or ideology does all the same work. Reading a canonical novel beside a medieval romance, a piece of pulp fiction, or a work from a rival political tradition defamiliarises its conventions just as effectively. The argument establishes that a monocultural reading list caps analysis; it does not establish that cultural origin is the axis along which the contrast should be drawn, which is what the position asserts. The instrumental framing is also a liability for the case it makes. Multicultural texts are defended here by their usefulness in illuminating the canon — the classic 'is not displaced by the comparison, it is illuminated by it' — which subordinates them to the works they are brought in to serve. Taken seriously, it implies there is no case for teaching a text that does not sharpen a reading of something canonical, which is a considerably weaker position than most advocates of this literature would want, and one they would generally reject: the usual claim is that these works merit study on their own terms. The pedagogical claim is empirical and undefended. That comparative reading lists produce measurably deeper analysis in secondary students is a testable proposition, and nothing is cited for it. It competes with a familiar objection running the other way — that added breadth comes at the cost of the sustained attention any single text needs before its assumptions can be interrogated at all, so a wider list may produce shallower reading rather than deeper. And curriculum time is finite. An argument for addition has to say what is displaced, and this one does not.

Rejecting the premises

[Rejecting P1] Comparison generates analysis, but cultural difference is only one axis that supplies it: pairing texts across period, class, genre, form or ideology produces the same defamiliarising effect, so the premise supports comparative reading generally rather than multicultural literature specifically. [Rejecting P2] The instrumental framing subordinates the works it defends: justifying these texts by how well they illuminate canonical ones implies there is no case for teaching those that do not, which is weaker than the position most of their advocates hold. [Rejecting P3] That comparative reading lists produce measurably deeper analysis is an empirical claim about pedagogy offered without evidence, and it competes with the objection that added breadth comes at the cost of the sustained attention a single text needs. Curriculum time is finite, and no account is given of what is displaced.