Statues cannot give a fair look into the past - they are artwork. We cannot imagine which aspects of a person's life these monuments celebrate. If they're public, any exercise to change its role is futile. Removal of these statues is easier than expecting a politicised shift in the national psyche.
The argument
People often see statues as a way to celebrate, reminiscence, and discuss historically significant people. However, public statues of controversial figures – such as the British slave trader Edward Colston – lack the opportunity to discuss a person’s more substantial role in society, culture, politics, economics, history, and numerous other topics. Descriptions on statues are almost always brief, often one hundred and fifty words or less. This concise of a statement does not give the reader a greater context, nor does it allow for multiple points of view. Instead, statues ought to be removed from their public domain and placed into museums and universities where curators and experts in the field can offer onlookers the opportunity for a nuanced debate about the statue.
Premises
Counter-arguments
When it comes to statues, context matters; statues represent an excellent way of conveying the context of a specific time and place. Rather than removing statues, we should add more around the ones that are already erected to strengthen the background and add perspective. Statues, if given the correct context, offer the opportunity for people to learn from our past.
Rejecting the premises
[Rejecting P1] The premise's own reasoning tells against its conclusion: if the fault is a lack of context, the remedy is more context, and a brief inscription is no argument for removal in particular — nor does it connect to the injustice the position claims is redressed, which is a separate matter from pedagogy. [Rejecting P2] An inscription is not the only source of context. A statue stands in a named street among plaques, buildings and institutions, and it can be recontextualised where it is by adding text or further works — which is the counter's proposal and a rival position in this debate. [Rejecting P3] Relocation narrows the audience: a museum reaches those who choose to attend, whereas a public monument is encountered by everyone who passes, so moving it may reduce the debate the premise wants rather than deepen it.